Scripture
is silent on worship music styles. It is because of this silence, that I can
confidently say that God has given us freedom in this area. If He wanted to
only sanction a particular style for worship music, He would have said so. He
would not have forgotten to mention this in His revelation to us.
So how do
we handle this freedom? While there are no Biblical prohibitions in regards to
musical styles, there are practical considerations.
If one
were to perform “Mary Had A Little Lamb” in a heavy metal style, there would be
a sense of conflict between the message of the music and the style that would
cause most people to laugh and not take the music seriously. If one were to
play a dirge at a funeral in an upbeat, poppy style, or play wedding reception
music in a style more suited for a requiem, there would be a cognitive
dissonance, a disconnection between the style and the message of the music.
This would be akin to a preacher dressing in a clown suit while delivering his
sermon on Sunday morning.
These
considerations limit the practical boundaries for worship music. There is a
reason why heavy metal music tends to have aggressive and dark lyrics. Those
lyrics fit the emotions that the style inspires and in its listeners. There is
a reason why pop music tends to have upbeat lyrics, country music tends to tell
colloquial stories, blues tends to be dominated by themes of struggle and even
depression, etc…
Another
boundary for worship music is that the music must be congregationally singable.
Some songs are great, but difficult to sing. They might work well as a special,
but not as a congregational worship song. Some musicians complain about an
over-simplistic approach taken with congregational worship music, but this is a
necessity for most congregational music, especially congregations who no longer
have the liberty of music books with scores where the melodies can be read.
So all of
these considerations can help us to identify musical styles that can best be
suited for worship. We’re looking for simpler forms of music that are styled in
ways to inspire our imaginations to see God for who He really is, celebrate His
goodness, the salvation that He has given us, and the fellowship of other believers.
This
excludes complex music styles like some forms of jazz, fusion, progressive rock
and classical. This excludes dark styles like heavy metal (unless we want to
start singing songs about God’s judgment and end times :-). This excludes the
“All My Rowdy Friends Have Settled Down”, country western styles that evoke
images of drowning in our sorrows, but not bathing in the goodness of God. None
of this is a judgment against these styles as sources for entertainment. But they fall short of presenting the truths
that worship music should carry.
Styles of
worship music that might fit the above criteria include, hymns, done in a
classical, southern or urban Gospel style. Contemporary worship music, which is
really Christian music done in a pop/rock or even modern country style, also
fits the bill. But as we will see, the church’s worship music should be
“purpose driven”. That purpose is summed up in 'the Three E's':
The
Three E’s
I believe
that every ministry in the church should be driven by three E’s; Exalt the
Lord, Edify the believer, and Evangelize the lost.
Exalt the
Lord is as obvious as breathing. I’ve never met a person who was
anti-breathing. As a result, you won’t hear a lot of talk advocating breathing.
You won’t find a Surgeon General’s warning stating, “Not breathing has been
shown in lab studies to cause death in 10 out of 10 cases.” Because Exalt the
Lord is also such an evidentiary truth, scripture doesn’t belabor this point,
and neither do I, but I clearly believe and affirm it.
The second
two E’s are seen in many places in Scripture. I will shine light on their
presence in I Corinthians 14. While Paul is building an argument for the proper
function of tongues within the church service, the presuppositions of his points
can be used to build a case for a proper practice of anything within the church
that we might question, including the use of worship music.
In verses
1-19, Paul builds his argument from the presupposition that everything that
occurs within the church should build up (edify) the believer.
Verse 12
highlights this presupposition:
“So it is
with you. Since you are eager to have spiritual gifts, try to excel in gifts
that build up the church.”
Therefore,
a priority for structuring a church service is to be “believer-sensitive”.
In verses
20-25, Paul builds his argument based upon the presupposition that the church
should always ask, “What if an unbeliever were to be among us”? Here’s an
excerpt:
23So
if the whole church comes together and everyone speaks in tongues, and some who
do not understand or some unbelievers come in, will they not say that you are
out of your mind? 24But if an unbeliever or someone who does not understand comes
in while everybody is prophesying, he will be convinced by all that he is a
sinner and will be judged by all, 25and the secrets of his heart will be laid
bare. So he will fall down and worship God, exclaiming, "God is really
among you!"
So what
does worship music look like that ministers to the believer, is
seeker-sensitive and pleases God?
I
explore this in more detail in my next post: “Shedding
Churchiness”
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